Kumbalangi nights camera
The film is an honest, vulnerable portrayal of masculinity that makes the love story more endearing to watch.
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What makes Kumbalangi Nights an iconic film in this domain is that the hurdles are not explicitly external, but also deeply internal. Everyone loves rooting for lovers to get past all hurdles and have their happily ever after. The events that follow become a galvanising factor between the brothers, with them coming together and standing up for a cause that trumps all: love.Įveryone loves a good love story. Their romance brings about a shift in the lives of everyone involved and forces them to confront the cracks in their own relationships. Things take a turn when Bobby, a fisherman, falls in love with Baby, a guide belonging to a well-to-do family. Set in the sleepy tourist town of Kumbalangi, the story revolves around four brothers ﹘ Saji, Bobby, Bonny, and Frankie, who have a dysfunctional relationship. And I attribute that to Kumbalangi Nights. With their vivid imagery, vulnerable characters, and realistic storylines, watching Malayalam films has become my favourite hobby. Unlike the polished, refined stories and settings in most Bollywood films today, this new wave of Malayalam cinema has come with the sensibilities of a good film mixed with the complexities of the human spirit. Kumbalangi Nights was the first Malayalam (and south Indian) film I ever watched.Īfter being a part of several humdrum conversations around films and how the Hindi-speaking, Bollywood-loving population was missing out on the ‘new wave’ of Malayalam cinema, I decided to indulge the thought and dive in.Īnd then it sparked an obsession like no other. Among their admirers is Sriram Raghavan who wants to make a film with Sunny.On International Men’s Day, we decode what ‘Kumbalangi Nights’ tells us about men and masculinity. The Deols exude a certain traditional Bollywood charm. He spoke about the pressures of launching his son Karan – he said as a father he wants everyone to love everything about their film Pal Pal Dil Ke Paas, which of course is impossible. So it was nice to see him relaxed and open. Despite having spent the last three decades in front of the camera, Sunny is shy and almost awkward in interviews. He said: “You watch, I’ll be a different person.” He delivered on that promise.
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I reminded him that we had an interview coming up and requested him to be a little chatty. The Evaru screening was at Sunny Super Sound and as we were entering, Sunny Deol was exiting. Her, Irrfan and Kareena Kapoor in the same frame – I’ll be first in line. She’s one of the most exciting young actors working today and I can’t wait to see what she does in Angrezi Medium. At the screening, I met the lovely Radhika Madan ( Mard Ko Dard Nahi Hota, Pataakha). During the interval, Sesh said that he wasn’t stressed about reactions because the film was already a hit but he was just thrilled to show it to more people. I enjoyed watching Adivi Sesh as the corrupt police officer Vikram Vasudev who, like everyone and everything else in the film, isn’t quite what he seems. Evaru doesn’t have the craft of Badla but the innumerable twists and turns keep you hooked. But director Venkat Ramji, who has adapted the story, reworks the narrative. The film is an official adaptation of the Spanish film The Invisible Guest, on which Badla was also based.
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This week, I also saw the Telugu film Evaru (Who). And it’s such a pleasure to see her soar. Mission Mangal is the biggest hit of her career. Her incredible talent is buttressed by her lack of vanity – she isn’t afraid to be unattractive on screen. Vidya has been instrumental in changing the narrative for women in film. I’m also a big laugher and when we meet, we invariably end up giggling like little girls.
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She has of course matured and evolved as an artist but she still has a childlike enthusiasm and the ability to laugh uproariously – she throws her head back and has to wipe her tears. Vidya and I have known each other since she did her first Hindi film Parineeta with Vinod Chopra Films in 2005. You feel the same warmth when you meet her in person. It’s perfect that she’s leading a mission called M.O.M. She’s instantly relatable, combining a keen intelligence with maternal warmth. As a middle-class woman juggling her career as an ISRO scientist with her commitment to her family, she is terrific.